As your 10th anniversary of their an initial full length approaches, And Their surname Was Treason, A Day to Remember confirmed amazing resistance to being strong-armed into any particular genre, continuing to change their sound lot to the happiness (or chagrin) of your fans. But one thing is undeniable­­––over the years, A Day to Remember have showcased stunning versatility, v the rare capacity to sell the soft songs and the difficult ones. Love ‘em or dislike ‘em, you probably understand ‘em. Without further ado:


“1958” is a throwback come ADTR’s now decade-old first––and especially youthful in comparison––full-length, And Their surname Was Treason.

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if the track now stands together a testimony to simply how much McKinnon has come together a vocalist, “1958” serves together the quintessential early on example of just exactly how well ADTR understands tune structure, and also why they’re still pertinent a te later.


A bonus monitor from Common Courtesy, “Leave every The lights On” tautly it is provided a extremely relatable story––a human being desperately trying to figure out if there’s any method to rescue a relationship with someone who when meant the people to them. What stands out around this monitor is how properly the lyrics tell the tale, minus the angst from previously offerings. This is ADTR every grown up, and it’s a track that’s excellent in the simplicity and also deserving of far more than a spot as a bonus track. Ahem.

8. “You Should’ve eliminated Me when You had The Chance” (For Those Who have actually Heart, 2007)


This track, from the band’s much-celebrated effort For Those Who have actually Heart, makes this perform for one reason: come date, it is one of the ideal choruses the tape have ever written, perfectly mirroring the over-the-top angsty lyrics in one undeniably attractive hook.

7. “2nd Sucks” (What off Me indigenous You, 2010)


Remember as soon as I stated that ADTR is as good at soft as they are at heavy? “2nd Sucks” is case and also proof of your bludgeoning side. The tune hits hard and never allows up. Between the heavy distortion and breakdowns is just one of the finest “fuck off” song perhaps ever written.

6. “I’m do of Wax, Larry, What are You do Of?” (Homesick, 2009)


Featuring The adversary Wears Prada’s Mike Hranica (anyone rather remember as soon as these two were opening for Silverstein?), this track is a an excellent example native Homesick of what ADTR have made their name on—that perfect marriage of attractive clean vocals and hardcore stylings. Your refusal to commit to a genre never ever sounded so good. When a song can make whole audience cough in unison, you’ve probably done other right.

6. “Homesick” (Homesick, 2009)


Homesick’s title track is a gem all around the joys of coming of age and crafting your identity—a feat that’s no doubt lot more facility when half your time is invested living out of a moving vehicle and also venues throughout the world. The genuine artistry is found in the means the song develops: native the frantic pop-punk drumbeat and gang-vocals in the verses, come the more melodic, laid-back choruses, which culminates in the all-out declaration the is the bridge––the track translates top top a “feels” level even if girlfriend don’t speak the language.

5. “Monument” (For Those Who have Heart, 2007)


“Monument,” turn off of For Those Who have actually Heart, is a promise ADTR made come the human being that they’ve more than kept. This vaguely restless number around the perils of being a dreamer is no the catchiest song in their arsenal, but it still manages to feel prefer an anthem.

4. “Another Song about The Weekend” (Acoustic) (Homesick, 2009)


Of ADTR’s acoustic catalog, this song––a bonus monitor on the extended version of Homesick––is a standout original, despite the reality that it’s an acoustic adaptation of an electric. The unplugged rendering feels very appropriate, giving a more dynamic vocal take on an already excellent track. It’s almost a far better acoustic tune than numerous tracks the were purposefully composed that way.

3. “Sometimes You’re The Hammer, sometimes You’re The Nail” (Common Courtesy, 2013)


From ADTR’s recent work, Common Courtesy, “Sometimes You’re The Hammer, occasionally You’re The Nail” is just quintessential ADTR. It’s a high-energy mix that heavy and also light, through a distinct vulnerability in the bare-bones leg that really lays out the thesis of the song––“hey, it’s okay to it is in imperfect”––in a means that is difficult to ignore.

2. “All Signs suggest To Lauderdale” (What the end Me indigenous You, 2010)


A standout track on the polarizing 4th release What separates Me native You, “All Signs point To Lauderdale” was the an initial track that really denote just exactly how well ADTR can write music the was palatable for folks that prefer an ext radio-friendly genres, while still paying far-ranging homage to their very own signature crucial style.

1. “Right back At it Again” (Common Courtesy, 2013)


As a long time ADTR fan, selecting the number one song wasn’t easy. Through a brochure this diverse, there were a many of different ways it can go, yet at the finish of the day, “Right back At the Again” take away the spot since of what that represents as well as by virtue of the tune itself. It’s a flawlessly executed, triumphant pop-punk anthem from a document that fans practically never gained to hear, and that in and of itself is enough.

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AP 400 – TWENTY ONE PILOTS

In TØP’s latest cover appearance, the duo of Tyler Joseph and also Josh Dun spoke to Maria Sherman around everything from their at an early stage years come the present.